Are you a creative person? Really

Being creative means being able to conjure an idea out of nothing. Doesn't it?

"Rebellion is the root of all creativity." - @SallyHogshead

Back when I entered the workforce with my 3rd class degree and a very limited idea of what I was good at I took a personality test. You know the sort - the ones where you read a bunch of statements and say how much you think each one is like you. One of the traits measured on that test was "creativity". I scored pretty low. This fit with my belief at the time that people were either science types or arty types and that it was nigh impossible to be both. Creativity was, obviously, an artsy person's trait. We scientists dealt in cold hard facts. 

To me creativity meant being able to invent something totally new. I knew that scientists always stood on the shoulders of giants and built on each other's work. I thought no idea could be truly creative if it was inspired by something someone else had done.

I hope the folly of my very narrow view of creativity is already apparent to you. It has taken me the last 20 years to slowly change my view to realise, first, that it is possible to be scientific *and* artistic. In fact I now realise that *most* people are both to some degree. But most importantly I've learned that creativity is so much more than just looking at a blank piece of paper and being able to pre-see the drawing you want to make on it. 

Creativity is quite simply the desire to create something - even if it's based on something you've seen by someone else. The very act of trying to recreate someone else's style is a creative act. By playing with a technique or approach you learn how it's done and in the process you inevitably put your own stamp on it. Maybe from there you find someone else's style that you like and work on emulating that. You learn a load more skills, but you don't forget your earlier ones. Without even thinking about it you combine the skills and styles of both and again you add a generous seasoning of your own taste and interest. Even just copying is a creative act. And of course the same is true in science and technology as well. Building on the work of others, adding to their ideas or refining them are all creative acts. Ironically, when I started my career as a programmer I was entering one of the most creative of all "science-types" professions. And I didn't even know it!

"Rebellion is the root of all creativity."

I saw @CC_Chapman tweet this quote by @SallyHogshead and my first reaction was to disagree. It suggests that to be creative you must buck the ideas of others and come up with something new. But I'm probably being too narrow minded again. Perhaps just wanting to create something, anything at all, is a small act of rebellion. What we're really doing when we create something is putting our heads above the parapet and trying to change our little bit of the world. Sounds like rebellion to me.

PW170 - Glide Strap Review - BlackRapid vs. Custom SLR

Today I take a look at two of the best glide straps on the market from existing market leader BlackRapid and newcomer Custom SLR. I'll show you how they work, how they compare and then I'll give you my verdict on which on I think you should buy.


PW170 - Glide Strap Review - BlackRapid vs. Custom SLR

Is a camera club stifling your creativity?

Camera clubs can be an incredibly positive learning experience for new photographers. Suddenly you're surrounded by experienced people who are only too keen to show you what they've done and talk about how they did it. Horizons suddenly expand and you find yourself with a wealth of new ideas to try and teachers to help you. But there can be a catch.

Experienced photographers are often still there to learn but it's also a wonderful forum for showing off their work and hanging out with like minded people. And if someone has done particularly good work (or if they're a great self promoter) then sometimes they can become a club "star photographer". Usually they're lauded and looked up to by the other members. Sometimes they become club leaders or competition judges. And of course members often try to emulate the star photographer's style in order to learn. But this is where it becomes tricky because members might start to compare all work with the work of those stars and pretty soon other styles are out of favour. Before you know it the club has it's own house style that is fashioned after that of the star members. In extreme cases you have to emulate that style in order to do well in club competitions.

This club behaviour isn't stupid or malicious. It's just an emergent property of having people wanting to show their work and others wanting to learn. It's natural but it's important for club leaders to see what's happening and encourage diversity. The same problems occur on photography websites and other photography communities as well. We all want to be the best photographer we can and we all want to have our own personal style. Emulating the work of people we admire is a big part of how we learn and how we develop our style but just try to be aware of your influences and be choosy about what parts of those you keep for the future. And if you feel you're getting stuck in a rut or your photography is becoming more of a responsibility than a pleasure then strike out in a new direction. Try something completely different to what you've done before. Show your club mates something they've never seen from you before in so doing challenge them to appreciate different styles and approaches.

The most valuable photography skill you'll ever learn

“Become a more interesting person” – Jay Maisel responding to a student who asked him how to create more interesting photographs.

I want to tell you about the most important skill I've ever learned to improve my photography and I learned it from my dad. One of the things I most admired about him was his ability to talk to anyone, to show interest in them, make them smile and open up. In short he made friends and he made it seem effortless. But I've a suspicion, because he and I were so very much alike, that it wasn't at all easy for him as it isn't for me. Simply put, the most powerful photographic tool I have is the word, "hello". 

These days we isolate ourselves a great deal. Nowhere I've encountered is more this way than London where simply making eye contact with some people results in fear and alarm. But if we really want to make more interesting photographs we have to talk to people, find out who they are and what they're doing. Showing an interest in what interests someone else is a powerful way to strike up a conversation as it was for me today when I was out seeking pictures for an upcoming tutorial. I was wandering through the car park of a local church when I saw two chaps with interesting looking boxes they'd just taken from their van. So I went over and said good morning. Once I was close enough I could see that the boxes contained pigeons so I asked about them and we struck up a conversation. I expressed interest in their hobby and a few minutes later they were only too eager to let me take pictures of them releasing the birds. I got a picture I'm really pleased with but more importantly I got to experience something I wouldn't have if I'd not had the courage to walk up and introduce myself.

As a child I wasn't the extrovert I am now. In fact, I wasn't really confident talking to people I didn't know until I started getting interested in photography. And it wasn't an overnight thing that changed. I didn't just flip a switch in my head and suddenly I could talk to everyone. I took it slowly at first, just saying hello to anyone that caught my eye in the supermarket checkout queue or complimenting someone on their fabulous hat. It all starts with eye contact and a smile. But pretty quickly I learned that despite initial fears, people quite like it when you show interest in them. Most people *do* like to make friends. All I had to do was make the first move.

I took this to it's logical extreme recently when I was shooting video at a baby expo in Birmingham. I'd been asked to film the show in order to make a promo video and to focus on getting film of babies and children playing and having fun. I was a little nervous about that - would I have a female chaperone? Apparently not.  I was uncomfortable being the male photographer filming people's kids and I was all the more nervous when they couldn't even promise me an official photographer pass. So I bought and wore a bright yellow hi-vis vest printed with "OFFICIAL PHOTOGRAPHER" and I was carrying a *big* video tripod with a camera on top. There was no doubting what I was there for. Nobody could have accused me of hiding or being covert. When I wanted to film kids I would go over and talk to them and their parents first. I started by asking them about what they were playing with, what they'd liked at the show and *then* when I'd broken the ice I brought up the question of what I was obviously there to do. Out of the many people I spoke to and asked for permission to film their children not one person said no. There's so much paranoia about kids and photography lately. It was incredibly refreshing to discover that most people are very reasonable and respond well to an honest explanation of what you want to do and a polite request for permission.

I can't tell you how much of a difference being able to talk to people has made to my life overall. One thing is for sure, though, it's opened up a world of new photography opportunities.

Photojojo iPhone SLR Mount Review

Yay, my iPhone SLR mount from Photojojo arrived today and I've been busily playing with it all morning. This wacky device lets me connect my SLR Canon lenses to my iPhone. I know - crazy right? My first instinct was to try using the 100mm macro with it so I hooked it up and headed for the garden. You can see the best of the resulting shots here.

So what do I think? Well first of all, yes this thing is real. it works. You can attach any Canon EF mount lens to it (Nikon version available too) and yes you really can get shallow depth of field pictures using this system. The first thing you'll notice, though, is that the pictures are upside down, which makes aiming the lens very tricky indeed and you'll need to rotate the images in post processing. There's also a big problem with dust spots because it uses a focusing screen to project the image from your lens onto and then the iPhone shoots a picture of the focusing screen. The screen picks up dust very easily and is very fragile so cleaning it is best done very gently with a lens cloth or using compressed air. 

The other problem with the focusing screen is that you can see the ridges on the screen in the pictures.  Check out the large versions of my pictures to see what I mean. In some cases I reduced the effect and in others I emphasised it. But in all cases it was there and quite easily visible at full size.

The device comes in 2 main parts, the jacket that fits onto the phone and then the DOF unit that screws onto the jacket with a 37mm thread close-up lens in between. The whole system is designed for 37mm threads so you can take the DOF unit off and add your own 37mm lenses if you wish.

Overall I found this a fun little device. With pro lenses on it's ridiculous looking, of course, and if you're going to carry big lenses anyway why wouldn't you just use your SLR? Valid points for sure but if you're just looking for something that's a bit of fun and you have $250 (ouch!) to spare then go ahead and get one. Personally I'll be getting a wide angle 37mm lens to attach to mine and using it for video, a bit like an OWLE.

 

 

 

Is it time take Micro Four Thirds more seriously?

I had the chance to play with a Panasonic GH2 yesterday. I tried out a bunch of different lenses and the Lumix 20mm f/1.7 was a particular favourite. The point, though, is that I was struck by just how good this gear is. I'm starting to wonder if it wouldn't be a smart move to leave the 5Dmk2 and the L lenses at home and start buying into the Micro Four Thirds system. 

Those lenses fit on a bunch of cameras and they're small and light. I could carry a camera bag 1/3 the size of my 5D bag that contains a camera, a couple of zoom lenses and still have room for a whole bunch of primes. Right now my bag usually contains a camera, a 24-70mm and a 70-200mm. I usually carry at least one prime, either a 50mm or 100mm macro lens but I'd love to carry more (like an 85mm if I could afford it).

The only thing holding me back has been my perception that these Micro Four Thirds lenses can't be as good as my big L glass and, honestly, they're probably not. Not quite. But if I can carry a good selection of prime lenses in place of my single 24-70 f/2.8 L, well that's kinda tempting. Plus, of course, they're a lot cheaper so as well as the weight saving there's a cost saving too. 

The only point against doing this is how it would look to clients. I don't think they'd be too impressed to see me arrive with what seems to be much the same as their camera. 

I'm not placing any orders just yet but I have to admit.. I'm considering it. The shot above was just one of my snapshots while I was playing around with these lenses. It's a picture of my very old, very grumpy Devon Rex cat Elliott and it was shot with the GH2 using the Lumix 20mm f/1.7.

PW169 - Snapseed App Review

Today we've got a video review of Snapseed, an iPad app by Nik Software. This is our first ever iPad app review on PhotoWalkthrough and that's because until now I've not thought anything was good enough to be useful to pro and semi-pro photographers. But surely if anyone can make a quality photo editing app on the iPad then Nik Software can? Join me to find out what it can do, how it works and whether you should give Nik your hard earned money!

PW169 - Snapseed App Review

PW168 - Flare App Review

Today we have video review of the brand new Flare app available on the Mac app store. It brings hipstamatic or Instagram style creative effects to your photos through a desktop app that gives much more creative control. I'll show you how it works and give my verdict on whether or not this is a must buy. (Update 21 June 2011 - I've added a download link below the video where you can download my Flare presets. Find more downloadable presets on the Flare Presets page)

 

 

PW168 - Flare App Review

PW166 - Tutorial 22, Chapter 2 - Tender Touch

In the second chapter of our free lightroom 3 video tutorial we spend some time evening up the light on our Tender Touch image doing what I call a hand-made tone mapping to bring out detail through the whole image and make it ready for our final split toning step next week.

PW166 - Tutorial 22, Chapter 2 - Tender Touch

All new look


Ever since I started making PhotoWalkthrough in 2006 I've wanted to design a logo for the show. I've tried many times  to come up with some ideas that represented photography, photo editing, art and science - all the things I think make up photography and my show in particular. I finally decided a couple of months ago to ask for help. I was a graphic and web designer for years before I was a photographer so it really stung admitting I needed someone else to do this for me but I did it and eventually hired Anthony from Motojournalism. Right from his first ideas document he came up with some stuff I'd never thought of that I really liked. To cut a long story short we finally settled on the curves dialog you see above with the brush stroke as an s-curve through it. The ideas and typography were Anthony's suggestions and we worked together a little on colours (which we agreed to pick from our background image) and usages (the text is actually a transparent cut-out in the white bar so you can see the image through it). We have versions of this that work as square format, black and white format and all the other possible usages we might need. Anthony did superb work and I absolutely recommend him if you need a logo design. Best of all, he put up with a very fussy and interfering customer. Thanks Anthony - you rock.

So having done the work to make a new logo the obvious next step was to redesign the website and now I'm launching this thing at last. There's more still to do. I'm going to work on improving the navigation - I've already made a start on that with the newly designed Tutorials page. But, <big breath>, it's live after many many hours of work!  I hope you like what you see. As usual I welcome feedback. 

PW165 - Tutorial 22, Chapter 1 - Tender Touch

Today we start a new tutorial working on a tricky image with strong shadows and highlights. We use Lightroom first to recover some detail on those areas and then we do a black and white mix to bring out interesting detail throughout. Add in some dodging and burning, vignette and an interesting split tone and we'll be all finished. This tutorial majors heavily on the decision making process with an image. I talk a lot about what I'm trying to achieve with the picture and how I'm going to get there.

 

PW165 - Tutorial 22, Chapter 1 - Tender Touch

CreativeLive online training

There's such a lot of free online photography training available that sometimes the great stuff gets lost in the river of amazing content. Well I just spent the last hour and a half watching a CreativeLive free video training session with Zack Arias and I was blown away by the quality of his work, his teaching and of the presentation. If you love learning photography online you've got to see this one. Here's the intro video. Check out the CreativeLive site to get the rest.

 

FREE: Foundations of a Working Photographer with Zack Arias

If a picture is worth a thousand words..

Very often we're looking at our photographs and trying to find the one real winner, the one that tells a story by itself as well as being beautiful and interesting. Often, though, a collection of pictures is much more powerful for giving an overall sense of place or story. Shooting for a collection frees you up, giving you permission to focus on just the interesting details and encourages you to think about a progression of events, the ordering of your images. It makes you a better storyteller.

Felix Kunze, a good friend of PhotoWalkthrough, has just posted a beautiful and simple photo essay showing the work of Marlene Rose, a glass sculptor. It's illustrated with wonderful photography as you'd expect from Felix. Marlene Rose and the making of beautiful glass

PW164 - Wacom Intuos 4 Wireless Review

Today's show is a video review of the Wacom Intuos 4 Wireless tablet. It features 8 express keys with configurable OLED displays and a touch wheel. It connects by bluetooth and is pressure and tilt sensitive. We discuss it's price, features and how useful it is to a digital photographer.

Find more photography video reviews on the PhotoWalkthrough site plus tons of free lightroom and photoshop video tutorials. Find out more about Wacom tablets at www.wacom.com.

 

PW164 - Wacom Intuos 4 Wireless Review

PW163 - SuperFrame white on black acrylic printing at Focus On Imaging 2011

In our last Focus On Imaging video for 2011 we look at a spectacular and touchable way to print black and white images directly on acrylic. We also look at a few of Superframe's acrylic frame options and learn some fun new ways to keep the images on our wall fresh.

Get loads more free PhotoWalkthrough videos at www.photowalkthrough.com. Find out more about Focus On Imaging at www.focus-on-imaging.co.uk and learn about SuperfFrame products at www.superframe.co.uk.

PW163 - SuperFrame white on black acrylic printing at Focus On Imaging 2011

PW162 - Cambo X2-PRO System at Focus On Imaging 2011

In our final visit to Focus On Imaging 2011 we visit the Cambo stand and take a look at their X2-PRO System which turns a regular Canon DSLR into a View camera with finely adjustable swing and shift abilities to give total control over the focal plane in your photographs. And it's affordable too (kinda).

Get loads more free PhotoWalkthrough videos at www.photowalkthrough.com. Find out more about Focus On Imaging at www.focus-on-imaging.co.uk and learn about Cambo products at www.cambo.com.

 

PW162 - Cambo X2-PRO System at Focus On Imaging 2011

PW161 - Manfrotto 057 Tripods and 055 Photo-Movie Head at Focus On Imaging 2011

In our second visit to Manfrotto at Focus On Imaging 2011 we look at tripods and heads aimed at more serious prosumer and professional level photographers. We start wtih the 057 range of tripods and the 057 Mag Ball head made out of magnesium and featuring a new portait angle selector that keeps your camera at a perfect 90 degree angle.

Next we look at Manfrotto's new 055 Photo-Movie head designed to cater to photographers wanting to switch into video shooting. It's big, and impressive and you have to see it!

Get loads more free PhotoWalkthrough videos at www.photowalkthrough.com. Find out more about Focus On Imaging at www.focus-on-imaging.co.uk and learn about Manfrotto products at www.manfrotto.co.uk.

 

PW161 - Manfrotto 057 Tripods and 055 Photo-Movie Head at Focus On Imaging 2011

PW160 - Manfrotto Compact and 290 Series Tripods at Focus On Imaging 2011

Manfrotto had lots of new stuff to show this year and we started by taking a look at their compact and 290 series tripods, both available as a kit. The compact series have an innovative thumb-wheel locking system while the 290s have a removable head and all metal locking joints.

Get loads more free PhotoWalkthrough videos at www.photowalkthrough.com. Find out more about Focus On Imaging at www.focus-on-imaging.co.uk and learn about Manfrotto products at www.manfrotto.co.uk.

 

PW160 - Manfrotto Compact and 290 Series Tripods at Focus On Imaging 2011

PW159 - Lensbaby Sweet 35 and Tilt Transformer at Focus On Imaging 2011

The Lensbaby Sweet 35 is a brand new optic compatible with the existing Lensbaby Optic Swap systems on the Composer, Muse, Control Freak and Scout. It's a 35mm lens that, for the first time on a Lensbaby, has a built-in variable aperture. It's a 12-blade system that makes it much easier to control than the old magnetic aperture ring system.

Lensbaby are also showing off their Tilt Transformer, a swivel ball system that lets you mount any Nikon lens and turn it into a tilt lens. The Tilt Transformer fits onto Panasonic Lumix G Micro Systems, Olympus PENand Sony NEX digital cameras.

Find out more about Focus On Imaging at www.focus-on-imaging.co.uk and learn about Lensbaby lenses at www.lensbaby.com.

PW159 - Lensbaby Sweet 35 and Tilt Transformer at Focus On Imaging 2011